Commercial production for TV, cinema and digital platforms

Commercials

What does this service include?

We produce commercials for TV, cinema, YouTube, social and outdoor screens, from concept and script to post-production and channel versions.

A commercial has to tell a complete idea in very little time and make clear which brand is telling it. We develop concept and script with that constraint in mind, and validate them with you before committing production budget.

A single production can deliver the TV spot, cutdowns for YouTube and social, silent versions for outdoor screens and stills for retail. We plan it in pre-production so every format gets the shots it needs.

What you get

  • Creative concept and script
  • Storyboard or animatic for approval
  • Pre-production: casting, locations and art
  • Shoot with director and crew
  • Post-production, music and voice-over
  • Versions for TV, digital and outdoor
Commercials by Boom Growth Partner, image 1 of 4
Commercials by Boom Growth Partner, image 2 of 4
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1. A clear idea before effects

Good production helps, but what people remember is the idea. That is why we spend time on concept and script before talking about cameras.

2. Versions for every screen

The same shoot yields different lengths and aspect ratios for TV, digital and outdoor, with the brand visible from the start.

3. Learning between campaigns

In digital we measure which version holds attention and drives action, and use that learning in the next production.

Before you request a proposal

Frequently asked questions about Commercials

Direct answers to evaluate scope, timing, investment and measurement before requesting a Commercials proposal.

Do you produce commercials for broadcast and pay TV?

Yes. We deliver masters with each network’s technical specifications, plus the digital versions.

Can you also buy the media?

Yes. Our traditional and digital media teams can plan and buy the slots where the commercial will run.

How long does a commercial take?

It depends on the concept, casting, locations and approvals. Once the script is approved we agree on a calendar with shoot and delivery dates.

Who owns the rights to the footage?

That is set in the contract. We review talent, music and location rights in advance for the time, territory and media where it will be used.



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